The Rawson Institute for Seamen/Bar100 – The Rocks, NSW
The snigger-inducing Rawson Institute for Seamen opened in 1859 as the Mariners’ Church, a missionary effort by the Bethel Union which followed two similar sites in Darling Harbour and Circular Quay. After initial success, the Bethel Union fell on hard times at the turn of the 20th century, and in 1895 the Church was leased to the Missions to Seamen. So wait, one seamen missionary group met financial hardship operating out of this place…and another one jumped in to take its place? Were the owners named Bond and Packer?
Sir Harry Rawson, who was appointed NSW Governor after his productive and incident-free trip to Benin, got a piece of the action once his governorship ended in 1909, proposing extensions to the building so important that the complex was renamed after him. Seamen everywhere could thank Rawson for providing them such a luxurious institute.
By 1960 things like this had fallen pretty much by the wayside, and the Bethel Union limped back to Flying Angel House, while the Rawson Institute became in 1981 home to the hitherto-unknown-by-me Craft Council of NSW, which lasted until 1990. Subsequently used as an art gallery and cafe, in 2011 Rawson’s changed hands yet again to much consternation. The new tenant, Bar100, hopes to rival that seamen’s institute of a different kind, the notorious Ivy nightclub. You’ll need a lot more than the name, guys.
William Arnott Ltd/Bakehouse Quarter – Homebush, NSW
For decades, passers-by of the Arnott’s Biscuit factory at Homebush would experience delicious smells emanating from the place. From 1908 to 1997, this was where the action was for the large variety of Arnott’s products. Since the factory’s relocation to Huntingwood, the site has undergone a remarkable transformation.
Image courtesy City of Canada Bay Library Service.
The first Arnott’s Biscuits factory opened at Forest Lodge in 1894, but when demand created the need for a larger factory, Homebush was chosen as the best location because of its proximity to the rail system. Company founder William Arnott had made the decision to move the factory closer to Sydney, but died in 1901, before he could see his dream realised. Seen at the time as a mistake on Arnott’s part due to Homebush’s then-long distance from the city, the factory eventually became the largest of its kind in the Southern Hemisphere. In fact, the Arnott’s factory was one of the foundations of economic prosperity in the growing residential suburb of Homebush in those days; there were few families in the suburb that didn’t work for Arnott’s.
Image courtesy City of Canada Bay Library Service.
SportsFizz sounds like a drink, doesn’t it?
Arnott’s may have moved on from this location, but their biscuit range is still the most popular in Australia. Scotch Fingers, Milk Arrowroots, Iced Vo-Vos, Tiny Teddies and Sao (I get the feeling that the plural of Sao should still just be Sao, like sheep) are exported all over the world, and all the while the Homebush factory still stands, albeit with a very different purpose.
The Bakehouse Quarter redevelopment started in 1998, taking the Arnott’s factory that was so familiar to locals and converting it into a shopping and leisure precinct akin to Birkenhead Point.
While you can’t spit without hitting a cafe, there’s also the obligatory business sector, which includes the corporate HQ for Arnott’s. No substitute for a good location, I guess. That’s not the extent of the Arnott’s involvement, either: plenty of heritage Arnott’s paraphernalia exists at the site, all part of the old factory. The giant neon Sao sign is the most prominent, but even Arnie (groan), the Arnott’s parrot, gets a look-in.
Cobbled roads and Edwardian-style lighting make up the section of George Street that passes through the vicinity.
A large part of the factory itself has been converted into an AMF bowling alley and laser tag site. It’s not as farfetched as it seems – back in the day, Arnott’s had a bowling green included on the grounds, presumably as a showcase for the Iced Vo-Vo.
A car park has replaced the former oven area, which is still keen to reveal itself to those on the lookout.
The site’s still growing, and there’s still a lot of work to do. Zumba classes and conversations over meals at the steakhouse are still constantly interrupted by the sound of construction workers striving to turn the more industrial parts of the factory into a heritage paradise.
My favourite element untouched from the old days was this, the toilet to nowhere.
I wouldn’t be surprised if it ended up with a fair portion of residential area set aside within it, but whether that would be incorporated into the extant factory is anyone’s guess. Would it be cool or trendy to live in a former Tim Tam chocolate coating room? Probably.
One of the reasons the site was chosen by Arnott’s in the first place was because of its excellent rail infrastructure. You can still get a good view of the factory by train as you pass by between Strathfield and North Strathfield stations, and this bit of free advertising still passes over the busy Parramatta Road.
Huntingwood should keep a close eye on the Bakehouse Quarter, because when Tiny Teddies eventually grow up to become Standard Teddies, and Scotch Fingers grow to represent the entire hand, Arnott’s are gonna need more room, and that’s precisely when AMF and Zumba are gonna move in, ably proving that there is indeed no substitute for quality.
The Plaza Theatre/Maxy’s Roller City/Planet Hollywood/McDonald’s – Sydney, NSW
Image courtesy Simon Fieldhouse.
Sydney’s Plaza Theatre was once one of many elegant cinemas and theatres lining George Street’s entertainment strip. Like many cinemas, its business was damaged by the advent of television, and today it has the distinction of being arguably the world’s fanciest McDonald’s.
McDonald’s George Street interior, 2012.
Built for Hoyts in 1930, the Plaza sat alongside venues such as the Century Theatre (which became an indoor BMX track in what could only have been the 80s) and the Crystal Palace Arcade.
Erecting the neon sign, The Plaza Theatre, 1935. Image courtesy State Library of NSW.
Hoyts Plaza Theatre, 1966. Image courtesy City of Sydney Archives.
Despite many of its contemporaries being bulldozed around it, the Plaza stood firm until 1977, when it was closed as a cinema and reopened as Maxy’s, a disco skating rink. The changing face of entertainment.
The Plaza as Maxy’s, 1983. Image courtesy Helen Grant/Sydney Cinema Flashbacks.
Surprisingly, the idea of a disco roller rink wasn’t fashionable for long, and the Plaza played host to Mickey D’s and video arcades for most of the 1980s.
Planet Hollywood Sydney, 1996. Image courtesy Steve Newbury.
The Plaza’s northern end was once again immersed in the world of cinema in 1995 when the Stallone-Schwarzenegger-Willis-Moore joint Planet Hollywood came to Sydney, establishing itself in the former arcade. According to this photo taken in 1996, PH shared its space with Brashs, another 90s success story. By 1999, both ventures would be out of business.
Today, some lazy entrepreneur has taken the already-tacky Planet Hollywood aesthetic and adapted it into the Star Bar, another of modern George Street’s entertainment offerings. Not sure how many stars you’d see here these days. The Plaza in its present state is yet another example of Sydney trying to disguise the brazen pimping of itself to the lowest bidder by hiding behind facades of the past. If it looks vintage, it seems that much more respectable. What isn’t considered is that drunken eyes can’t appreciate all the lovingly preserved heritage fronts, and as George Street continues to slide into the gutter, the death grip it has on these buildings only serves to drag their illustrious reputations and history down with it.
STAR STUDDED UPDATE: Reader Cameron says: “Star Bar was originally created by Planet Hollywood to replace Brashs when it failed which had the same owner, Star Bar was created so Planet Hollywood could profit from gambling without tarnishing its family image. The two coexisted for a while. A bizarre fact, this restaurant was a real cash cow and extremely profitable when it closed, a case of embezzlement I believe. The real crime there was the removal of the original cinemas Spanish themed ceiling for the extra headroom and replaced with a high blue ceiling. The Star Bar is now run by the same group that has the even tackier Shark Bar! now with no sharks……”
Sounds like the sharks haven’t left at all, actually. It’s almost inconceivable that shady types would be running places like this (especially the Shark Bar), but there you go. Thanks, Cameron!
Past/Lives of the Near Future 