The movie presents the experience of Batman collector Darren Maxwell, who begins his hobby in 1989 and winds up addicted to buying Batman merchandise.
You might not believe this, but I’ll be back soon with a regular post. It’s a sad tale of a consumer electronics giant left behind in the modern world – you’ll love it (or at the very least make a vaguely interested ‘hmm’ sound).
We spend our lives mourning our childhoods.
Our values and expectations are shaped throughout our younger years, sometimes subconsciously. Once we learn that, say, an ice cream dropped on the hot sand during a day at the beach won’t be replaced, the ice cream becomes a little part of us, a part we can’t get back. As adults we can buy another ice cream, but it’s not the same one. It’s just a band-aid over our initial carelessness, and $5 out of our retirement funds. We still feel the loss.
Every tantrum or outburst we have, every moment of joy, whenever the waterworks spring a leak…that’s a moment when the situation we’ve found adult selves in has touched a nerve from an earlier time. It’s a unique brand of pain we aren’t equipped to handle.
From the 1970s onwards, childhoods became increasingly materialistic. My own was peppered with trips to toy shops and Christmases spent unwrapping action figure after action figure. I never broke an arm climbing trees with Huck and Tom because I was inside on the PlayStation. I never knew that pain and the associated loss of innocence.
But when that PlayStation controller broke, you better believe I felt that.
The values that make the younger generation weep into adulthood are different to the ones who came before (you know, the ones who made it impossible to buy a house). When a brand that played a large part in that childhood dies, it’s a personal attack, even if we hadn’t supported or even thought about that brand for years.
At the (mostly) newly refurbished Westfield Miranda, there’s something new to mourn.
Imagine looking into those gentle brown eyes and telling that face it’s over – he’s insolvent. Imagine being the one to cause that perpetual smile to end. It’d be like pulling the moon from the night sky: the nocturnal world would hate you.
Toys R Us has gone, and there’s an entire generation full of rage at its passing. How could this happen? Don’t toy shops last forever? Where will we take our children when they come of age?
We were there at the beginning, when the American giant arrived on our shores and slew the usurper. When we were invited to meet Barbie, Sonic and Geoffrey, to come in and “have a ball”, to be seduced by wares previously unfathomable to our young eyes.
And we drank deeply.
Never mind that we hadn’t gone in there in years, that we peered inside occasionally and merely wondered why there were so many baby items. Never mind that when we wanted a new board game for game night, we hit up Amazon and their incredible range rather than hiking out to one of many inconvenient locations embedded in mouldy old shopping centres. Never mind that our own children asked for iPads and Xboxes over Barbies and Transformers, and we willingly obliged, even as Hurstville’s double-storey Toys R Us lost an entire floor to Aldi.
We took Geoffrey and his magic factory for granted, and this is the price we paid. We dropped the ice cream, and we’ve done our dash.
Rebel Sport remains – a glimpse into a past when big name retailers could team up and it meant something – but the toy story is over at Miranda. The threshold that saw so many delighted kids quivering with anticipation, birthday money firmly – but not too firmly – clutched in tiny digits, has been sealed up and replaced with an ad for a shop elsewhere in the centre.
Imagine the scene behind this wall. A big empty space that, once upon a time, someone saw so much promise in. “This place could make kids happy,” they thought. And it could, until it couldn’t. Today, that possibility has been restored.
Downstairs, just a bit away from the escalator that once elevated us to a place where we didn’t have to grow up, is this sign overlooked by Westfield’s image consultants.
The quotations around the R sometimes appear in official Toys R Us signage, and sometimes they don’t. Here they seem to be a disclaimer, as though whoever crafted the sign didn’t quite believe the claim behind the name: that “toys were them”.
It’s certainly true today.
It seemed like a match made in heaven: a Mickey D’s right outside upper George Street’s Metropolitan Hotel. A greasy fast food basin would have been – and for many years, was – the perfect catchment area for empty stomachs hoping to dilute the copious amounts of alcohol they were about to ingest over the course of an evening out.
So what went wrong?
As a name, the Metropolitan has stood on this spot since 1879. Before that, this part of old Sydney town wasn’t so metropolitan. Prior to 1834 this was a lumber yard: thirsty work, so that year it was released from its status as Crown land for development as a hotel, originally the Castle Tavern, and later as the preposterously named La Villa de Bordeaux.
Publican P. Wilson’s continental experiment didn’t bring the boys to the yard, and by 1867 the building, which included a dispensary, a tailors and a drapers shop, was empty. 1879’s drinkers were more amenable to the idea of a pub on this corner, and thus the Metropolitan was born.
Once the shawl of sophisticated metropolitana fell over the site in the middle of the Victorian era, it wasn’t easily lifted. As with so many Sydney pubs, a brewery took ownership – in this case, Tooth & Co. The excess real estate attached to the building was employed, in 1910, to transform the Metro into a new breed of 20th century super pub. Thus Tooth’s dispensed with the dispensary and tailors, a bottle shop was added to the ground floor, and the neighbouring terrace, built at the site’s inception in 1834, was incorporated into the metropolis of George and Bridge.
In the last century the hotel has changed owners a few times. In the 1930s it was the Bateman’s Metropolitan. In the 60s, it was part of Claude Fay’s hotel portfolio. Today, it’s back to the plain old Metropolitan. This lack of ownership qualifier perhaps distills the idea of a ‘Metropolitan hotel’ to its purest essence – it belongs to no one, to everyone.
Or perhaps we should stick to talking about the ground floor.
McDonald’s and a night on the plonk used to be synonymous, but over the years there’s been a move by imbibers away from processed junk and kebabs, and toward a traditional pub feed. Pubs have seized on the move, providing eateries and “classic” menus in newly renovated wings of what were once snooker rooms or smoking lounges.
Even the trusty kebab has been elbowed out of contention by the schnitty. Where did my country go?
So in a rare move, this McDonald’s beat a hasty retreat to less discerning pastures. You don’t often see the Golden Arches admitting defeat, let alone leaving up scads of damning evidence of their tenancy here.
Poor form too, the Eye Piece, which has opted only to invest in the ubiquitous trend of the pop-up store rather than a real shopfront. As Sydney rent prices continue to accelerate towards Uncle Scrooge-levels of ridiculous money, shop owners have fought back by negotiating shorter terms. This means there’s no need for a total shopfront fit out, which in this case has laid bare the failure of Ronald and associates.
Funny choice of location for an optometrist though, isn’t it? Specs downstairs, beer goggles upstairs.
It seems like a match made in heaven.
Don’t sit down – no long or in-depth story this time. Just a gentle reminder of the sort of shape a past life can sometimes take.
For those who fled South Vietnam to escape the rule of the Vietnamese People’s Army, today’s Ho Chi Minh City will always be Saigon.
No, it’s not a name like Ceylon that’s entirely out of time, but it’s use here shows that for some people, letting go of their past…
…is like pulling teeth.
Right, where were we?
Back in the 80s, a bunch of pissed blokes ran some boats aground in Sydney Harbour, much to the consternation of the locals.
Hooning around the Tasman in a tub’s nothing new, but this particular incident was deemed momentous enough that the city named a suburb after it.
Ever been to Golden Grove?
If so, congratulations: you’re the oldest living human. A few years after the arrival of the First Fleet in 1788, a suburb in the blossoming (or metastasising, depending on your point of view) city of Sydney was named for the Golden Grove.
Built in 1780 as the Russian Merchant, the ship’s name was changed five years before its departure for Botany Bay It was a prescient move – even back then, Russian collusion wasn’t something to make public. Known as “Noah’s Ark of Australia” (sorry, Rusty), the Golden Grove carried a bunch of animals to a wild, inhospitable place unprepared for the subsequent chaos of colonisation.
Despite the fleet’s lasting legacy being in evidence literally everywhere in the colony of New South Wales, someone thought a suburban tribute was a good idea. Thus, Golden Grove was born in the approximate location of today’s Darlington, at the uni end of Newtown.
It didn’t stick. Today, all that remains of the gilded thicket is the name of the street that once bordered the suburb…
…and a healing ministry centre on nearby Forbes Street. According to the centre, the name was chosen because the Golden Grove carried the first chaplain to New Holland. From a whisper to a scream, right?
I tried to get close for a taste of that healing (God knows I need some) but a stern sign suggested I take my troubles elsewhere. The view from the fence suggested a colour a lot less golden than I’d expected.
An infinitely more peculiar legacy of the Golden Grove has been written about before, but was too good not to share again. Score one for Noah’s Ark:
As for the ship itself, it shared the same fate as its namesake suburb – it vanished from the records just a few years after its moment in history’s spotlight. A Sydney Harbour ferry’s carried the name since 1986, but let’s face facts: ferries are no substitute for the real thing.