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Video Revesby/Pool Shop – Revesby, NSW

No history this time, folks; just a story. A story of a time when entertainment wasn’t on tap, when anyone wanting to watch a movie either had to go to the cinema (ew), wait for it to be shown on tv (double ew) or head down to that ghost of the recent past, the video shop.

Yes, the video shop. That popcorn scented, perennially 1994 fortress of all things rewindable. Rest in peace, you beautiful icon.

Limited copies of each film encouraged either sharing and generosity or outright violence. If you and that neighbour you were feuding with both wanted to hire the one copy of Dunston Checks In, it was on for young and old. If your sleepover lived or died by whether or not Scream 2 could make an appearance, you were sweating the entire way to the horror section. In fact, many kids sweated their way through the horror section every time anyway, adorned as it was by some of the freakiest and most confronting video box artwork around.

But we’re here to talk about one video shop in particular: Video Revesby. Too cheap to join the Video Ezy conga line, VR simply borrowed the homophonic melody of its name and hoped no one would think too hard about it. It was Revesby, no chance of that.

And when I, one of the great non thinkers of his time, wandered in on a rainy Sunday afternoon to rent Alien, names lost all meaning. The Movietime aroma, wide eyed glares from the horror tapes and the cacophony coming from the arcade room overwhelmed my senses.

I started towards the horror section, determined to end the trilogy which for me had begun with Channel 10’s showing of Alien 3 weeks before, followed closely by multiple viewings of another video shop’s copy of Aliens to the point of risking the tape’s structural integrity. Would the answers to my many questions be locked within the strangely-white-and-not-transparent video case before me?

And how long would my inevitable detour to the arcade section prevent that from happening?

Such was the gravity of a trip to the video shop. While I grappled with these existential dilemmas, my brother marched to the children’s section and snatched the same Muppet Babies tape he always got. Wasn’t he tired of it yet?

Years later, he’d march in and snatch drums of chlorine for the pool. Video Revesby died in its sleep sometime in the early 2000s, replaced unceremoniously by a more evergreen entertainment solution. Pools won’t be replaced by streaming anytime soon.

The last time I can remember going into Video Revesby, it was an after-school adventure to watch a friend play Street Fighter Alpha 2. When another guy challenged and lost, things got heated and we left, desperately hoping his street fighting skills were limited to joysticks and buttons. I wonder if such confrontations ever happen in the pool shop.

And then the whole enterprise was forgotten for years, covered up by the pool shop owner’s steadfast refusal to paint over the Video Revesby signage. This spendthrift decision was followed by another: to use the cheapest material available when making the pool shop’s signs.

The video fad may be dead, but if we know anything it’s this: signage is forever.

Crescent Theatre/Fair City Discount Furniture – Fairfield, NSW

First off, let’s get the past out of the way. Or one of them, anyway.

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Image courtesy Cinema Treasures/John Gleeson

Believe it or not, people used to visit the western Sydney suburb of Fairfield by choice, mainly because there were things to do there. In 1908, Fairfield consisted of a train station, a sawmill and, of course, a pub – the Railway Hotel.

As has happened so often throughout Australian history, those milkshakes brought all the boys to the yard…but those in charge knew that if there wasn’t any entertainment for them when they got there, Fairfield would fall prey to anarchy, social upheaval, communism and all those other agents of chaos that happen when we’re not given the option to spend money.

The Carter family of Smithfield identified that risk, and in 1910 did the community a solid: they built a timber and corrugated iron hall.

Do you know how much fun a timber and corrugated iron hall can provide?

…it was a different time. Moving on…

After the hall caught fire (see? fun!) it was rebuilt as the Fairfield Picture Palace in 1914, wherein each Saturday up to 2000 punters could pay their bits and turn their brains off for an hour or so.

Not to be outdone, local transport and carrying baron John James Woods decided he could screen dodgy 16fps slapstick comedies for drunks better than the FPP, and in 1916, on Fairfield’s own Crescent, the imaginatively named Crescent Cinema was born. Or built. Or…you know what I’m talking about.

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The Crescent Cinema, 1937. Image courtesy Cinema Treasures/John Gleeson

But Woods’ heart just wasn’t in it, and it changed hands a bunch of times before it was condemned as unsafe. Usually that’s where I’d come in, but this occurred in 1928. Maybe Fairfield just wasn’t meant to have fun?

The Crescent (the cinema, not the crescent) was rebuilt, renamed (as the Plaza), and opened to huge success. The new owners, a flamboyant (is there any other kind in olde-time theatre ownership?) couple called the Christensens, used some unorthodox promotional techniques to advertise their theatre. Beside the usual train station and back of the bus adverts, Eric and Cecilia Christensen would dress up as movie characters and swan about Fairfield handing out flyers. C’mon Event Cinemas, bring that back! I want to see Captain America and the Ghostbusters staggering around Cabramatta trying to convince people they’re not insane and that they should spend time in a dark room with them. In this social media age, it feels like a lost opportunity.

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The Biz, August 10, 1934

By 1934, the Depression had taken its toll on the Christensens, so in came visionary A. J. Beszant. Just look at that article. Fairfield was crying out for a modern theatre, one that wasn’t promoted by dodgy Laurel and Hardy impersonators, and Beszant replied “I’ll give them one”. “Criptic” indeed.

Beszant’s mad plan for world domination seemed to involve building a theatre in each of Sydney’s western suburbs, a plan that almost worked. It was just a bit beyond Beszant’s scope, and by 1944 he’d merged his company with our old friend Hoyts. With that in mind, you can guess what happened next.

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Today, the Crescent (the crescent, not the cinema) isn’t a very pleasant place to be. Fairfield’s population has boomed since Hoyts, the KAOS to Beszant’s CONTROL, closed the cinema in 1967, and the focus of the suburb is no longer the train station. The theatre itself now sits in that lonely part of town, decaying and defiled.

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I wonder if any amount of cosplay could get people to come by here these days.

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Why do I get the feeling this is probably the part least used as a toilet?

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Regents Park, Bankstown…Shanghai?

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Although it existed as a split amusement parlour/roller rink in the 1970s, the Crescent Cinema has gone the route of all buildings this size – discount furniture warehouse. The glory days are long behind it, and it’s only a matter of time before the developers show up with a bulldozer. In this case, however, nature might beat them to it.

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Perversely, the underground billiards club was named Savoy, a name traditionally associated with cinema and entertainment. Do you really think any entertainment went on here?

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Especially when the door leads to nowhere?

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Inside, it’s a far cry from the 2000 seat era. Dare to compare?

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In old Fairfield… The Crescent Cinema lobby, 1937. Image courtesy Cinema Treasures/John Gleeson

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The Crescent Cinema, 1937. Image courtesy Cinema Treasures/John Gleeson

Remember, you’re looking at the exact same space.

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Around the back, the stormfront of progress encroaches upon a wasteland. Marvel’s comic book characters are on-hand as ever to witness the death of cinema.

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Beszant died in 1950 (and buried in the Northern Suburbs cemetery, of all places!), the Christensens and Woods long before that, and with them died the dream of entertaining the west. All we seem to want to do these days is house people, but there’s no thought about what they’ll want to do once they’re settled. With pubs closing earlier than ever and options like this no longer viable, perhaps now is the time to start thinking of alternatives? Not everyone’s a gambling fan, Mike.

Bell’s Hardware/Gloria Jean’s Coffees – Panania, NSW

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There exists in the collective unconscious a perception that in the 1950s and 60s, all men were DIY-handymen, and that Saturdays were a time to ‘do a bit of work around the house’. The proliferation of small town, independent hardware shops from that era seem to support this. Of course, this was long before the mega-chains rose to power, bought them all out, assimilated them into the brands and then closed them for not being as profitable as the superstores.

But because the Bunnings of the world are ruled by suits and not overalls, a sloppier job was done eradicating that old independent spirit. Ancient advertisements and signage, once lovingly applied by hand (on a Saturday) were left in place, seen by marketing gurus as a kind of ‘free advertising’. But they weren’t, man. They were a reminder.

Now we live in an age where the mega-chains that are buying out these strip shops aren’t even from the same industry. Since we can’t go five seconds without Gloria-Jonesing for an Oreo Bash Mocha Chiller, ‘little’ cafes like this one have supplanted more practical outlets in small shopping centres. What’s so little about Gloria Jean’s? And how is it that the Commonwealth Bank can’t support locations in Panania, Revesby and Padstow, yet Gloria Jean’s can pull it off without breaking a sweat?

But Gloria Jean’s, like so many mega-chains before them, didn’t do a good enough job in rebranding, and its Panania outlet retains its sun-kissed ‘Bell’s Hardware’ tattoo. We can be thankful that the next generation won’t have to endure a Gloria Jean’s one.

Or maybe it’s ‘Bill’s Hardware’. I can’t really tell. Bill Bell, if you’re reading this, get in touch. You know my name, look up the number.

One Year Anniversary

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It was a year ago today that I started Past/Lives, and I’d like to thank all of you who’ve contributed to or supported this venture in any way. I’ve learned so much writing this blog, and most of that knowledge has come from you. Please, keep the comments, suggestions and corrections coming!

When I started I had no idea there would be anyone as interested in old corner shops as I was, but nearly 50,000 views have since proven me very wrong. After over 200 posts, I hope that’s all I’ve been wrong about.

There’s plenty of good stuff on the way, too; over the next few weeks I’ll be going back and revisiting the ten most popular posts of the last year. You’ll get to see how they looked then, and how much things have changed. My money’s on ‘not much’.

In addition there are hundreds more sites around Sydney (and beyond) that are waiting for their moment in the sun, and they can rest assured that it’s coming.

Again, to everyone who has followed this blog, and shares whatever crazy syndrome we must all have to be fascinated by any skerrick of a former fast food outlet, I say thank you!

It’s my sincere hope that you – whether you stumbled upon this blog while searching for that Joyce Mayne ad where she’s in the bath, or you’re an enthusiast looking up the history of their building only to discover it was a Pizza Hut – have gotten as much out of this blog from reading it as I have from writing it.

If you have (and even if you haven’t), join me for another year in the past.

Paramount Theatre/Civic Video – South Hurstville, NSW

In the second such instance, Civic Video has taken up residence in a former cinema. This time, the Paramount Theatre of South Hurstville continues to provide movies to the public through the video chain. Let’s take a closer look.

With a booty like this, of course it was once a cinema.

The Paramount was built in 1934, joining a sister cinema at Mortdale (since demolished) and only four other picture theatres in the Kogarah/Hurstville region: the Odeon at Carlton, the Oatley Radio, the Hurstville Savoy and the Kogarah Victory being the others. It’s a pretty damn big building, with a seating capacity of 1,100 when it was built. In 1950, that old vaudeville villain Hoyts (boo, hiss) bought the theatre and renamed it the Hoyts. Sounds much better too, doesn’t it? Hoyts closed the theatre in 1959 (I’m growing more and more convinced there was some kind of Hoyts conspiracy to buy up the suburban cinemas in order to get people to head into the city). Hoyts made sure that a covenant in the sales contract ensured the building could never again be used as a cinema.

The Paramount/Civic in its less space-generous, more art deco days. Gotta be the late 80s/early 90s. Image courtesy Kogarah Council.

Since 1959 it’s been used as a recreation centre, a supermarket and a giant Civic. In the last ten years as video shops have declined, Civic has cut down on its floorspace, sharing with a Subway, a newsagent, a Curves gym and some kind of computer shop out the back. Cramming more into less space isn’t just a residential thing anymore.

CRUSTY UPDATE: Here’s a look at the Paramount in its heyday courtesy of reader Carmen. Thanks!